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In Ntozake Shange's powerful mid-'70s "choreo-poem," a group of African-Americans dramatizes the struggles and journey toward self respect experienced by black women in America.
The play comes across, unfortunately, as an antiquated time machine that's at odds with the current conversation. Being a glimpse into a specific, different era would be OK - plenty of revivals fit that bill - but 'for colored girls' seems awfully intent on speaking forcefully to the present moment. A strong connection to today, however, is nowhere to be found.
Still, Shange's work remains as riveting as it was in 1976. Her words have become more than the unspoken and unrealized accounts of Black women's pain and promise; they have evolved into the gift of permission to heal and the agency to be seen and understood. It has become a memo to Black women to embrace their femaleness (no matter what that looks like) while looking to the rainbow as a sign of hope for the future of the collective, because they alone are enough.
| 1976 | Off-Broadway |
Original Off-Broadway Production Off-Broadway |
| 1976 | Off-Broadway |
Off-Broadway |
| 1976 | Broadway |
Broadway Transfer Broadway |
| 1979 | West End |
London Production West End |
| 1980 | Regional (US) |
Regional Revival Regional (US) |
| 2000 | Off-Broadway |
Off-Broadway Revival Off-Broadway |
| 2000 | Off-Broadway |
Off-Broadway |
| 2019 | Off-Broadway |
Public Theater Off-Broadway Revival Off-Broadway |
| 2022 | Broadway |
Broadway Revival Production Broadway |
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