Based on L. Frank Baum's children's book, "The Wonderful Wizard of Oz", The Wiz takes one of the world's most enduring (and enduringly white) American fantasies, and transforms it into an all-Black musical extravaganza for the ages. Featuring a book by William F. Brown and a Tony Award-winning score by Charlie Smalls (and others), this entirely reimagined revival is directed by Schele Williams, choreographed by Jaquel Knight, additional material by Amber Ruffin, and music supervision, orchestrations, and music arrangements by Joseph Joubert.
Promoted as “The Wiz” through the “Blackest of Black Lenses” in a New York Times feature, the new revival that just opened on Broadway is in touch with its legacy, delivering a pleasurable experience. But ultimately, this “Wiz” is adrift. The production is busied with creating entertainment and signposting Blackness, at the cost of a cohesive, artistic vision.
This revival, directed by Schele Williams and with a book update by Amber Ruffin, toured the country before coming to Broadway, and will ease on back out there later this year. I first caught it in Chicago, when the production remained a bit of a mess, and can report that the Broadway version reflects a lot of good new work. An initially bizarre approach to “Brand New Day” has been visually retooled and, although JaQuel Knight’s choreography retains an eccentric dimension (and I say why not?), it’s now a bright detour into psychedelic “Hair” territory. The show is modestly scaled; the quirky set is from Hannah Beachler and the costumes, which are fun and referential, are by Sharen Davis. Wayne Brady has been added to the cast in a title role that’s more of a cameo, really. But The Wiz really has to be a face that audiences recognize, that’s just about as important as the quality of the performance, and Brady is well within his wheelhouse and perfectly fine. He does what needs to be done and is bathed in a warm responsive bath.
General Rush
Price: $45
Where: Marquis Theatre box office (210 W 46th St)
When: Beginning at 10 AM ET on the day of the performance.
Limit: Two per customer.
Information: Subject to daily availability. Seat locations for this program vary and may be available in all sections of the theatre. Locations are determined each by the show’s management and assigned at the discretion of the Box Office at time of purchase.
Digital Lottery:
Price: $45
Where: https://lottery.broadwaydirect.com/show/the-wiz-ny/.
When: Winners are drawn the same day at 3 PM ET and will have one hour to pay for their tickets online.
Limit: Two per customer
Information: Lottery seats may be partial view.
1975 | Broadway |
Original Broadway Production Broadway |
1976 | US Tour |
1st National Tour US Tour |
1978 | US Tour |
2nd National Tour US Tour |
1980 |
Regional Revival |
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1984 | Broadway |
Broadway Revival Broadway |
1984 | West End |
London Revival West End |
1993 | Off-Broadway |
Off-Broadway Revival Off-Broadway |
1997 | US Tour |
Touring Revival US Tour |
2006 | San Diego, CA (Regional) |
La Jolla Revival San Diego, CA (Regional) |
2015 | New York |
NBC Live Television Production New York |
2018 | St. Louis, MO (Regional) |
Muny Revival St. Louis, MO (Regional) |
2023 | US Tour |
US Tour US Tour |
2024 | Broadway |
Broadway Revival Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | Drama League Awards | Distinguished Performance | Nichelle Lewis |
2024 | Drama League Awards | Outstanding Revival of a Musical | The Wiz |
2024 | Theatre World Awards | Theatre World Award | Nichelle Lewis |
2024 | Theatre World Awards | Theatre World Award | Phillip Johnson Richardson |
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