All the Way is a gripping new play about a pivotal moment in American history. This drama will take audiences behind the doors of the Oval Office and inside the first years of Lyndon B. Johnson's presidency, and his fight to pass a landmark civil rights bill. Bryan Cranston, Michael McKean and Brandon J. Dirden will be joined by an ensemble cast playing additional roles such as Hubert Humphrey, Richard Russell, Robert McNamara, Coretta Scott King, Lady Bird Johnson, Bob Moses, Roy Wilkins, Lurleen Wallace, Stokely Carmichael, Walter Jenkins, Stanley Levison, George Wallace, Ralph Abernathy and Judge Smith.
All the Way was commissioned by the Oregon Shakespeare Festival's American Revolutions: the United States History Cycle and premiered at OSF in 2012. It then went on to play a sold-out and critically acclaimed run at the A.R.T. from September 13-October 12, 2013 starring Cranston. The play was awarded the 2013 inaugural Edward M. Kennedy Prize for Drama Inspired by American History, established through Columbia University in honor of the late Senator Kennedy, honoring new plays or musicals exploring US history and issues of the day.
Robert Schenkkan's 'All the Way' is not LBJ's first stage appearance, but it's the first time that he's made it all the way to Broadway, and the presence of Bryan Cranston in the cast is the sole reason for his arrival here. New plays don't reach Broadway nowadays without a movie or television star, and Mr. Cranston, lately of 'Breaking Bad,' is (at least for the moment) the latter. Far more important, he's also a totally assured stage performer who plays Johnson as a gangly, lapel-snatching wheedler in whom self-pity and rage are twisted together too tightly to rip apart. Yes, it's a caricature, and a garish one at that, but Mr. Cranston makes you believe in what you're seeing and hearing...Bill Rauch has staged 'All the Way' with a fluid physical vitality that makes the script seem smoother than it is...As for Mr. Cranston, he's a knockout. May he return to Broadway soon-in a less earnest play.
Bryan Cranston recently ended five seasons playing a good man surrounded by depraved criminals, drowning by inches in a cesspool of guilt, paranoia and homicidal rage. In other words, he was training to be President of the United States. As Lyndon B. Johnson, borne into the Oval Office on a wave of blood and hemmed in by enemies within and without his party, Cranston rules the boards with a vengeance, a latter-day Abe Lincoln who drops f-bombs and talks plenty about balls. The TV star's galvanic turn and the layered, polyphonic production around him take the dried facts of history and make them walk, talk and kick ass to victory...Director Bill Rauch keeps the action flowing through Schenkkan's lively use of direct address, split scenes, soliloquy and fourth-wall-breaking exhortation. This being a political potboiler, there's plenty of rousing rhetoric, and Cranston imbues his inspiring speeches and profane rants with a larger-than-life intensity that leaps off the page. Even if the script sometimes lapses into History Channel expositional mode, its humor and passion never lag-and neither does Cranston.
2014 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2014 | Drama Desk Awards | Outstanding Actor in a Play | Bryan Cranston |
2014 | Drama Desk Awards | Outstanding Director of a Play | Bill Rauch |
2014 | Drama Desk Awards | Outstanding Play | Robert Schenkkan |
2014 | Drama Desk Awards | Outstanding Projection Design | Shawn Sagady |
2014 | Drama Desk Awards | Outstanding Sound Design in a Play | Paul James Prendergast |
2014 | Drama League Awards | Distinguished Performance Award | Bryan Cranston |
2014 | Drama League Awards | Outstanding Production of a Broadway or Off-Broadway Play | All the Way |
2014 | New York Drama Critics Circle Awards | Best American Play | 0 |
2014 | Outer Critics Circle Awards | Outstanding Actor in a Play | Bryan Cranston |
2014 | Outer Critics Circle Awards | Outstanding Director of a Play | Bill Rauch |
2014 | Outer Critics Circle Awards | Outstanding Featured Actor in a Play | John McMartin |
2014 | Outer Critics Circle Awards | Outstanding New Broadway Play | All the Way |
2014 | Theatre World Awards | Outstanding Broadway or Off-Broadway Debut Performance | Bryan Cranston |
2014 | Tony Awards | Best Performance by an Actor in a Leading Role in a Play | Bryan Cranston |
2014 | Tony Awards | Best Play | American Repertory Theater |
2014 | Tony Awards | Best Play | The Oregon Shakespeare Festival |
2014 | Tony Awards | Best Play | Will Trice |
2014 | Tony Awards | Best Play | Cheryl Wiesenfeld |
2014 | Tony Awards | Best Play | Gabrielle Palitz |
2014 | Tony Awards | Best Play | JAM Theatricals |
2014 | Tony Awards | Best Play | Gutterman Chernoff |
2014 | Tony Awards | Best Play | Caiola Productions |
2014 | Tony Awards | Best Play | William Berlind |
2014 | Tony Awards | Best Play | Harvey Weinstein |
2014 | Tony Awards | Best Play | Barbara H. Freitag |
2014 | Tony Awards | Best Play | Scott M. Delman |
2014 | Tony Awards | Best Play | Rebecca Gold |
2014 | Tony Awards | Best Play | Double Gemini Productions |
2014 | Tony Awards | Best Play | Stephanie P. McClelland |
2014 | Tony Awards | Best Play | Jerry Frankel |
2014 | Tony Awards | Best Play | Louise Gund |
2014 | Tony Awards | Best Play | Jeffrey Richards |
2014 | Tony Awards | Best Play | Robert Schenkkan |
2014 | Tony Awards | Best Play | Gene Korf |
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