On the verge of death for the umpteenth time, Anna (Linda Lavin) makes a shocking confession to her grown children: an affair from her past that just might have resonance beyond the family. But how much of what she says is true? While her children try to separate fact from fiction, Anna fights for a legacy she can be proud of. With razor-sharp wit and extraordinary insight, Our Mother's Brief Affair considers the sweeping, surprising impact of indiscretions both large and small.
The playwright probably has something to say about forgiveness or the allure of bad boys, but while there's a decent amount of cleverness in his lines, the story never amounts to anything of significant consequence. Director Lynne Meadow's production is fine and neither she nor her actors should be blamed for the overall sluggishness of the overwritten proceedings, but aside from Lavin, who deftly blends from acerbic to gently sentimental, OUR MOTHER'S BRIEF AFFAIR is hardly one to remember.
Linda Lavin is alternately sardonic and fragile in the New York premiere of Richard Greenberg's drama 'Our Mother's Brief Affair'...The notion of 'legacy' weighs heavily in the drama, which touches on themes such as the suburban dream, and the desire, when one's life is nearing its end, 'to be known'...Lavin...paints a balanced portrait here, as a Long Island mom who dutifully raised two kids despite being in a marriage that was never romantic... Greenberg...is making a point about 'scale,' that some loads we carry through life-the burdens that bring us shame-are worse than others, and that after a point we must forgive ourselves. It's a point I'd gander he might have made more elegantly without the plot twist, but nonetheless, with Lavin leading the cast, it's a beautifully performed play.
2015 | Broadway |
Manhattan Theatre Club Original Broadway Production Broadway |
Videos