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Aliya Al-Hassan - Page 76

Aliya Al-Hassan

Aliya Al-Hassan is UK Managing Editor of BroadwayWorld. A London-based theatre critic and journalist, she has a life-long passion for the arts, with a focus on theatre. She is always keen to promote new work and smaller venues. Follow her on Twitter @aliyajaderosa






BWW Review: MOULIN ROUGE! THE MUSICAL, Piccadilly Theatre
BWW Review: MOULIN ROUGE! THE MUSICAL, Piccadilly Theatre
January 21, 2022

There can be few shows that have been quite so pushed from pillar to post by Covid. The West End version of Moulin Rouge! The Musical has stuttered, started and stopped a dizzying number of times. After winning 10 Tony awards on Broadway, the long-awaited adaptation of Baz Luhrmann’s extravagant 2001 film is now officially open at a red velvet-swathed Piccadilly Theatre in a blaze of sparkle and light.

BWW Review: BAT OUT OF HELL, New Wimbledon Theatre
BWW Review: BAT OUT OF HELL, New Wimbledon Theatre
January 19, 2022

The songs of Meat Loaf and J.M Barrie’s story of Peter Pan are not an immediately obvious combination, but Bat Out Of Hell attempts to fuse these elements with hints of West Side Story, Rock Of Ages and Wagner-esque unrestrained theatricality.

BWW Review: NUTCRACKER, London Coliseum
BWW Review: NUTCRACKER, London Coliseum
December 17, 2021

Last year's festive period didn’t feel like Christmas in so many ways, especially for those who return year after year to see the English National Ballet’s production of Nutcracker. The charming adventures of Clara and her beloved Nutcracker follow their journey through fantasy lands to defeat the evil Mouse King and meet the Sugar Plum Fairy in the Kingdom Of The Sweets. The show has a perennial appeal, but this year’s production appears to have lost some of its sparkle.

BWW Review: BEAUTY AND THE BEAST, Rose Theatre
BWW Review: BEAUTY AND THE BEAST, Rose Theatre
December 11, 2021

After being cancelled last year, the traditional musical extravaganza at the Rose Theatre is back with a bang. Typically for the festive production, Beauty And The Beast brings together professional actors along with talented performers from the Rose Youth Theatre for a magical production.

BWW Review: FAIR PLAY, Bush Theatre
BWW Review: FAIR PLAY, Bush Theatre
December 9, 2021

Sex, gender identity, competition and friendship are all touched upon in Ella Road’s energetic new play Fair Play. In this intense two-hander, when Ann joins Sophie’s running club, the pair strike up a friendship amid the endurance of training, despite their very different backgrounds. As Ann overtakes Sophie, issues of their bodies, identities and gender become open to public opinion. Relationships fracture, attitudes are challenged and futures are altered forever.

BWW Review: LIFE OF PI, Wyndham's Theatre
BWW Review: LIFE OF PI, Wyndham's Theatre
December 3, 2021

Lolita Chakrabarti’s adaptation of Yann Martel’s Booker prize-winning novel Life of Pi received rave reviews when it debuted at Sheffield’s Crucible theatre back in 2019. The pandemic delayed the West End run, but it has now finally opened at the Wyndham’s theatre and goodness, it was worth the wait!

BWW Review: THE DRIFTERS GIRL, Garrick Theatre
BWW Review: THE DRIFTERS GIRL, Garrick Theatre
November 26, 2021

The Drifters Girl, despite that missing apostrophe, should be a smash-hit jukebox musical. A plethora of familiar hits, a remarkably talented cast and the inspiring story of Faye Treadwell, the African-American woman who took over as the group’s manager and steered them to global success despite legal battles, sexism and racism. In reality, the brilliant cast is not enough to disguise the lack of cogent storytelling and emotional engagement.

BWW Review: A CHRISTMAS CAROL, The Old Vic
BWW Review: A CHRISTMAS CAROL, The Old Vic
November 25, 2021

A definite sign that London may be heading back to some sort of normality is the live return of The Old Vic’s award-winning adaptation of A Christmas Carol. After streaming a version last year, the theatre is now back to hosting one of the highlights of the festive season, complete with Victorian bell-ringing, mince pies and one of literature’s most heart-warming stories of love and redemption

BWW Review: THE SEVEN POMEGRANATE SEEDS, Rose Theatre
BWW Review: THE SEVEN POMEGRANATE SEEDS, Rose Theatre
November 12, 2021

There’s a huge amount going on in a short time in Colin Teevan’s The Seven Pomegranate Seeds, now showing at the Rose Theatre. Seven stories about maternal pain and loss from the women in the plays of Euripides are transported from classic mythology to modern-day scenarios. Despite this intriguing concept, the resulting production feel rushed and fails to live up to its potential.

BWW Review: PRIVATE LIVES, Richmond Theatre
BWW Review: PRIVATE LIVES, Richmond Theatre
November 10, 2021

Private Lives is often considered Noel Coward’s masterpiece: an elegantly acerbic commentary on the relationships and morality of society’s upper classes. Both scathing and witty, its warmth is cut through with an icy centre of cruelty. Nigel Havers has chosen the show as the inaugural production for his newly-founded theatre company and it now arrives in Richmond on a national tour.

BWW Review: THE GIRL WHO WAS VERY GOOD AT LYING, Omnibus Theatre
BWW Review: THE GIRL WHO WAS VERY GOOD AT LYING, Omnibus Theatre
November 5, 2021

After a short run as part of Jermyn Street Theatre's Footprints Festival Eoin McAndrew's inventive and intriguing play, The Girl Who Was Very Good At Lying, now arrives at Clapham's Omnibus Theatre. Catriona is a young woman, still living at home in a small town in Northern Island. She works in a local pub and life is rather dull. When an American tourist walks into the pub, Catriona is captivated and offers to show him around. Aware that her surroundings are unremarkable, she decides to embellish the truth and create a much more exciting history. The fiction starts to unravel as her stories become increasingly incredible and the situation spirals out of hand.

BWW Review: THE HOUND OF THE BASKERVILLES, Richmond Theatre
BWW Review: THE HOUND OF THE BASKERVILLES, Richmond Theatre
November 3, 2021

The Hound Of The Baskervilles, one of Sherlock Holmes’ most famous cases, is not known for its comedy. In this revival from The Original Theatre Company and Octagon Theatre Bolton, the macabre story becomes a fast-paced and humorous farce.

BWW Review: THE DRESSER, Richmond Theatre
BWW Review: THE DRESSER, Richmond Theatre
October 27, 2021

In the right hands, Ronald Harwood’s Olivier award-nominated tragicomedy The Dresser is poignant, hilarious and also heart-breaking. Terry Johnson’s new touring version captures the undercurrent of deep sorrow of the play in a this rather meta production about a touring theatre company.

BWW Review: TOP HAT, The Mill At Sonning
BWW Review: TOP HAT, The Mill At Sonning
October 23, 2021

Made famous by the 1935 film featuring the legendary Fred Astaire and Ginger Rogers, Top Hat is a nostalgic and light-hearted piece of escapism now playing at The Mill at Sonning. The story follows Jerry Travers, a Broadway star in his prime, who travels to England and falls for the society beauty Dale Tremont. Dale is not initially taken with him, but with a little charm, Jerry gets his girl. However, it is less than plain sailing after Dale mistakes him for Jerry's own manager Horace Hardwick, who is married to her friend, and subsequent mayhem ensues.

BWW Review: 9 TO 5 THE MUSICAL, New Wimbledon Theatre
BWW Review: 9 TO 5 THE MUSICAL, New Wimbledon Theatre
October 20, 2021

Is there anyone in the world who doesn’t love Dolly Parton? Even country music-haters know her tunes and appreciate her philanthropy. 9 To 5 The Musical debuted on stage in 2009 and is an entertaining adaptation of the revenge satire film, which saw Dolly, along with Lily Tomlin and Jane Fonda outwitting their awful and sexist male boss to gain female empowerment.

Audiences Behaving Badly
Audiences Behaving Badly
October 24, 2021

We know that there is an etiquette when watching a theatrical performance, but it's fair to say that in the past eighteen months many of us have grown used to watching all our entertainment solely on a screen where chatting about the performance, eating loudly and getting up mid-speech is the norm. It seems that some of this behaviour may have drifted into our theatres. Or was it ever thus?

BWW Review: A SPLINTER OF ICE, Jermyn Street Theatre
BWW Review: A SPLINTER OF ICE, Jermyn Street Theatre
October 16, 2021

Alan Strachan and Alistair Whatley’s well-received production of A Splinter Of Ice was streamed online before a national tour. This understated and intriguing look at friendship, loyalty and allegiance now comes to the Jermyn Street Theatre. In 1987, the Cold War is very recent history. Ben Brown’s play imagines the conversation that may have taken place between novelist Graham Greene and his old MI6 boss Kim Philby when Greene visited him in Moscow while attending a peace conference.

BWW Review: RICE, Orange Tree Theatre
BWW Review: RICE, Orange Tree Theatre
October 14, 2021

As part of their new Recovery Season, the Orange Tree Theatre, in a co-production with Actors Touring Company now brings us Rice, a powerful, thought-provoking and funny play about cultural identity, class, race and power told through two very different women, who form an unlikely friendship. Set in Australia, Nisha is a young Indian-Australian and an ambitious executive on the cusp of securing a life-changing deal to sell rice to India. Yvette is an older Chinese-Australian who cleans Nisha’s office while she juggles with trying to revive a failing business and a daughter in trouble for environmental activism.

BWW Review: THE MIRROR AND THE LIGHT, Gielgud Theatre
BWW Review: THE MIRROR AND THE LIGHT, Gielgud Theatre
October 8, 2021

Many people got through the first lockdown engrossed in the final part of Hilary Mantel’s literary trilogy following the rise and fall of Thomas Cromwell. After the successful stage adaptations of the first two books, fans have waited seven years to see The Mirror And The Light; the concluding part of Mantel’s epic work. Whether it was worth the wait is not entirely clear.

BWW Review: DIRTY DANCING, Richmond Theatre
BWW Review: DIRTY DANCING, Richmond Theatre
October 6, 2021

Dirty Dancing debuted on stage back in 2006. After numerous tours it is now back at Richmond Theatre, which has opened its doors for the first time in 559 days. The show is a faithful interpretation of the much-loved film following the story of 'Baby’ Houseman as she spends a summer discovering love, sex and relationships at a 1960s holiday camp.






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